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A young swinging couple get seduced in the desert lair of a mind-warping lady vamp, mourning the loss of her long-deceased husband whilst playing the game from both ends.
80 minutes of ‘schlock & awe’ from Roger Corman’s New World Pictures and director Barbara Peeters (well, for some of the time…).
Whilst it’s always a delight to see this charming film, its shortcomings are many and the 35mm print used at BFI is really starting to show considerable age.
A film that I hoped would be horror-ier (which I know isn’t a word but ‘have more horror in it’ isn’t right here either…).
Had fun posting daily recommendations for what was screening across London in collab with @radiantcircus. Here’s an archive of everything.
Julia Ducournau’s TITANE (2021) screened as the Time Out special presentation at the 65th BFI London Film Festival at the Royal Festival Hall (09 OCT 2021).
Lee Haven Jones’ Welsh-language horror show THE FEAST aka Gwledd pits urban greed against the forces of nature. The film screened in the First Film Competition of the 65th BFI London Film Festival at Curzon Mayfair (09 OCT 2021).
Banjong Pisanthanakun’s THE MEDIUM is a mocumentary/found-footage tale of possession in the Thai region of Isan. The film screened in the Cult strand of the 65th BFI London Film Festival at ODEON Luxe West End (08 OCT 2021).
Nia DaCosta’s CANDYMAN (2021) is a good film, but there was potential for it to be an angrier, more brutal & significantly more damning one.
Micro reviews for: SLAPFACE / GREYWOOD’S PLOT / THE ADVENT CALENDAR / THE SADNESS