THE BLACK PHONE (2021)
Scott Derrickson’s highly theatrical adaptation of Joe Hill’s story of family and fraternity enduring violent threat has thrilling echoes of STAND BY ME.
Scott Derrickson’s highly theatrical adaptation of Joe Hill’s story of family and fraternity enduring violent threat has thrilling echoes of STAND BY ME.
A look back at a century of exploitation cinema as a source of “pure enjoyment and delight, despite improbable plots, ‘bad’ acting, or ragged film technique.”
Not so much a review of the film, more of a reflection on the restoration – which is stunningly vivid – and the uncut theatrical version – which amplifies the horror.
BAR TRASH is a new weekly event in Genesis Cinema’s Bar Paragon for all lovers of incredibly curious films & collectors of physical media.
BAR TRASH is a new weekly event in Genesis Cinema’s Bar Paragon for all lovers of incredibly curious films & collectors of physical media.
BAR TRASH is a new weekly event in Genesis Cinema’s Bar Paragon for all lovers of incredibly curious films & collectors of physical media.
Keith Thomas’ remake is like food from a hastily arranged trip to the park with one of those disposable BBQ trays: burnt at the edges and raw in the middle.
#QueerHorrorNights tackles our DADDY ISSUES? with a trans-morphing double dose of sci-fi body horror from the biological father & son of the sub-genre.
Continuing our Q-RATED! launch season, Queer Horror Nights is proud to present a double bill of THE PSYCHO SEQUELS aka What Norman did next.
#QueerHorrorNights tackles our DADDY ISSUES? with a trans-morphing double dose of sci-fi body horror from the biological father & son of the sub-genre.
Queer Horror Nights returns with David Freyne’s post zombie outbreak shocker, THE CURED (2017), in partnership with Irish Film London at The Castle Cinema (15 MAY 14:00).
To get ready for our prom night screening of CARRIE (2013), we’re giving away some amazing prizes in our Early Bird Prize Draw!