INTO THE GRIZZLY MAZE (2015)
In brief: A casting clusterfuck of a bear hunt that comes completely undone with some appalling CGI in its closing stages.
MANEATER (2015)
In brief: The classic bear bait & switch, a monster slash survival movie suffering a hormone-induced identity crisis.
BACKCOUNTRY (2014)
In brief: In the battle of (wo)man vs bear, chalk this win up to the beast.
1313: ACTOR SLASH MODEL (2011)
In brief: 1313’s “meat puppets” go meta as an overlooked actor avenges the roles he lost to twinkier thesps.
1313: BOY CRAZIES (2011)
In brief: A reluctant model slash vampire discovers the extent of his preternatural powers.
THE LAST HOUSE ON THE LEFT (1972)
In brief: A fascinating low budget exploitation shocker that retains enough raw power to justify its watershed reputation.
ANNOUNCEMENT: Queer Horror Nights!
Coming to London/UK in 2021/2: badly behaved movie nights for impolite queers.
RAW (2016)
In brief: Julia Ducournau’s unsettling debut solo feature that gets under your skin & stays there like a terrible, tunneling disease.
THE ALIEN FACTOR (1978)
In brief: A ridiculously ambitious debutante DIY creature feature to inspire all you wannabe drag superstars, pups, furries & fetishists.
SPRING (2014)
In brief: A young man on his travels falls in love with a shape-shifting monster who’s struggling to keep her shit together.
EVOLUTION (2015)
In brief: A vivid coming of age fairytale about the battle for all our reproductive rights. The monsters want control of our bodies. We can’t let them have it.
CUB (2014)
In brief: Part throw-back, part myth-maker in its own right, Jonas Govaerts’ pre-teen backwoods slasher WELP (aka CUB) is a refreshing blast of horror from the Flemish speaking bits of Belgium (& you don’t often get a chance to say that).